Saturday, September 7, 2013

SwampFest 2013 Regent show

(Sound-checking at SwampFest UltraMegaParty 2013 at the Regent, Palmerston North)

Thanks to a few well-placed bribes, FaderC (Craig Black) let me MC the big Swampfest gig at the Regent again this year. I was really interested to see what the crowd would be like this time around. I've been lucky enough to be present at many SwampFests and have consistently been blown away by the quality of performances. Last year I introduced Benny Tipene by saying “ Fairies and pretty birds tumble out of the soundhole of his guitar as he thrashes it to within an inch of its life”, and he was only one of the formidable talents onstage that night. Since then the rest of New Zealand has witnessed his gifts on television. So I was very hopeful that people who had seen him on telly would come along to the gig. People who might not normally go to a SwampFest gig, who would then be exposed to more of the local colour, as Captain Malcolm Reynolds puts it.
Well I don't have a demographical breakdown of the crowd but I can tell you it was a very enthusiastic one! One of the best crowds I've seen in terms of showing their appreciation. And SwampFest really turned it on for them.
Once again I was really impressed by the quality of the performances, and I'm left thinking that more of these local artists deserve to be getting more exposure. Luckily, more of them are aware that they have to put in the hard work to make it happen. Look at show openers Dick Tracy. They had a solid set of hard-rocking songs but they didn't just stand there and hope that people liked them. You could tell that they had actually thought about presentation and audience engagement. It's not hokey to actually talk to the crowd – it's called entertainment, and they did it well. They showed obvious pleasure as they played, you could tell they were having a good time and that translated over to the audience. A great, high-energy start to the show.
In an inspired piece of sequencing, FaderC decided to follow that with the solo acoustic guitarist Shayla Armstrong. She spoke directly to the people through her charming songs, and also by... well, by speaking directly to them. Again, another performer who has spent some time thinking about interacting with listeners, but in a completely genuine way, not a calculated fakery of banter.

A high point of the night for me, among a series of jagged peaks like a musical mountain range, was the Jefferys. I'd heard some of their stuff on FacePlantTubeCloud and thought it was pretty cool in a clever, poppy, alt-y kind of way, but seeing them play the songs live unleashed their full energy and made of me a stalwart acolyte. They were loud, quiet, tight, loose, aggressive and tender. Kudos.
When I called for another round of applause for the Jefferys the audience went nuts. I thought that they must have had a similar epiphany as I had, until I looked around and saw that Benny Tipene had walked onstage!
That ruined my plan of doing a Dom Bowden and drawing out his. Intro. With. Excessive... Pauses. But, like a band at a wedding, I had to remind myself that it was his night, not mine. I cried into my wig later when no-one was watching. In the meantime I sucked it up like a professional cowpoke and kept riding that steer. Or something.
(Benny Tipene and David Stevens)

Watching Benny play live some of the same songs I'd seen on the TV was particularly interesting because of the addition of David Stevens on electric gat and vocals. So much more than mere decoration (although he did have some fine pants on), David's contributions were like a shimmering sheen of shiny stuff that stroked the ears. His playing was so selfless it was like he was a Buddhist guitar nun, and the way he worked together with Benny's clever acoustic picking and emotion-filled voice lifted them to a musical apex.

(The Nerines)

Always a sure bet as show closers (I mean that in a nice way!) the Nerines delivered their usual absolutely fantastic, catchy, rowdy, hook-filled stuff. One of the best rock bass tones I've heard in a while too (nice work Fabian), and a drummer so energetic and precise you could watch him all night (kudos, Tadhg). Great vocals, arrangements, drive and, again, good repartee meant that I didn't want the show to end. In fact, I experienced some cognitive dissonance when I realised I was at a rock show that was running slightly ahead of time! I can't recall that ever happening before...
FaderC put out the call for an encore, and what FaderC wants, FaderC gets. With everybody shouting for more, the heroic Nerines pulled another song out of their goodie bag. Even though they professed to be under-rehearsed for it, it went off like a magnesium explosion (again, in a good way.)

So, another blimmin' excellent SwampFest Regent show. I'm almost sad that I've been to a few now, because I'd love to be surprised and amazed at the local talent all over again. Thanks to everyone who makes the shows happen, all those people behind the scenes – you know who you are! I'm so pleased that festivals like this happen in Palmy so that people can come along to a “sampler” gig in a safe environment and get reminded that there's a lot of cool stuff happening in town, and these people who live in our region are making great music for themselves and for us.
To hear more, and support them, have a look at the links below.


Remember there are still more Swampfest events to attend this year! Find them here:

Oh, and don't forget that the Bing Turkby Ensemble are playing at Tankapalooza this year – September 28th. We get to go hog-wild! Come along and go hog-wild with us!





Monday, May 13, 2013

Free ebook


OK, if this has worked properly, there should be a link below to a free PDF ebook version of that multi-digit bestseller "Chords, Cartoons and Cookery" which TurkbyTone Rekkids produced some time ago.
Just in case you missed it, here's that link again!

We thought we'd give away the ebook version free, since the limited edition gold-plated jacuzzi version sold out so quickly (20 copies in a mere 4 years!)
Feel free to share it round - we've got enough digits to make digital copies for everyone.
Here's a sample of the kind of flea-bitten drivel you'll find within (click to embiggenate the JPEGS):



Tuesday, May 7, 2013

"Wanganui" song gets Turnbull Library thumbs-up!

On the latest Turnbull Library mixtape, the first song is "Wanganui" by the Bing Turkby Ensemble!
Staff at TurkbyTone Rekkids WorldWide HQ are said to be "really pretty ruddy well pleased" by this development. Jim Keltnenhausen, spokesman for the democratically-elected Turkby Despotic Rule Party, says "we're as chuffed as a wonky wheelbarrow in a half-inch of snow". Or something. I wasn't really paying attention so I didn't write down what he actually said.

Anyway, the metadata maestros at the Turnbull Library are trying their durndest to collect and catalogue as much Kiwi music as they can, so that when Doomsday arrives, there'll be a good soundtrack, and everyone will know who wrote which songs. It's a great initiative, and we salute them with all our fingers and toes.

Bing himself was particularly pleased with the comments about the song by Mark Crookston, Digital Collection Strategy Leader, who chose the song for inclusion:  “I chose this track because it sparks critical discourse around a range of significant contemporary societal issues. Like the diplomatic uses of beer, or xenophobia in rural NZ... you don't look right, and round here that's a good excuse for a fight."

See what else is on the digital mixtape at their blog, or learn more about the National Library's collections here.
This is the very same place where you can apply for an ISBN when you write your own book, so it's all official-looking. (eg. this one: 9781463590208). Yep, they do a lot of good stuff there. Have a look!